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This page
has been posted to my website to remember the writer John Michell and his
work. John passed away on 24th April 2009. John wrote
a number of books on esoteric and spiritual matters. The work
of writers such as John often involves a degree of intuition and subjective
projection and can never be 100% accurate in a factual sense. Its real value, however, lies in its
ability to prompt people to think more deeply about life and the world around
and to question and to seek their own truths. It can be one of the triggers
for people to develop a more spiritual way of life. Some of those people
become the spiritual teachers and leaders of the future. The
narrative below has been reproduced from the Wikipedia
page about the life and work of John. Introduction John Michell (or
John F. Michell, born 9 February, 1933, died at Stoke Abbott, In some 40-odd
titles over five decades he examined, often in pioneering style, such topics
as sacred geometry, earth mysteries, geomancy, gematria,
archaeoastronomy, pseudoscientific metrology, euphonics, simulacra and sacred sites, as well as Fortean phenomena. An abiding preoccupation was the
Shakespeare authorship question. His Who Wrote Shakespeare? (1996) was
reckoned by The Washington Post "the best overview yet of the
authorship question." Biography Michell was
educated at Eton and Trinity College, In the 1980s
Michell was a member of the Lindisfarne Association
and a teacher at its Books
His better known
works include The Flying Saucer Vision: the Holy Grail Restored
(1967), The View Over Atlantis (1969), later revised as The New
View Over Atlantis, (1983), which stimulated renewed interest in ley lines, City of Revelation (1972), which
concerns sacred geometry, A Little History of Astro-Archaeology
(1977), Phenomena: A Book of Wonders (1977 with R. J. M. Rickard), Eccentric
Lives and Peculiar Notions (1984) and The Lost Science of Measuring
the Earth: Discovering the Sacred Geometry of the Ancients (2006) with
Robin Heath. Michell's books received a broadly positive reception
amongst the "New Age" and "Earth mysteries" movements and
he is credited as perhaps being "the most articulate and influential
writer on the subject of leys and alternative studies of the past"
Ronald Hutton describes his research as part of an alternative archaeology
"quite unacceptable to orthodox scholarship." Bob Rickard,
founding editor of Fortean Times, has
written that Michell's first three works
"provided a synthesis of and a context for all the other weirdness of
the era. It’s fair to say that it played a big part in the foundation of Fortean Times itself by helping create a
readership that wanted more things to think about and a place to discuss
them. The overall effect was to help the burgeoning interest in strange
phenomena spread out into mainstream culture." His 1984 volume Eccentric
Lives and Peculiar Notions covered such figures as Comyns
Beaumont and Julius Evola, as well as eccentric,
not to say egregious, behaviour such as
self-administered trepanning. From 1997 he wrote
a monthly column of humour, philosophy and social
commentary in The Oldie magazine, an anthology of which was published
in 2005 as Confessions of a Radical Traditionalist. Metrology and numerology A recurring theme in Michell's work, from Living Wonders to Twelve Tribe Nations and The Measure of Albion, is of universal truths codified in nature and continually, if intermittently, rediscovered from ancient times up to the present day. Ioan Culianu, a
specialist in gnosticism and Renaissance esoteric
studies, in a review in 1991 of The Dimensions of Paradise: The
Proportions and Symbolic Numbers in Ancient Cosmology, expressed the view
that, "After some deliberation the reader of this book will oscillate
between two hypotheses: either that many mysteries of the universe are based
on numbers, or that the book's author is a fairly learned crank obsessed with
numbers." Who Wrote Shakespeare? In 1996 Michell
published on the question of Shakespeare authorship. In surveying the
arguments for and against the various candidates, he did not expressly favour any single one of the surprisingly many, but
judged certain hypotheses more plausible than others, particularly the Oxfordian theory. Who Wrote Shakespeare? received mixed reviews: Publishers Weekly was
critical, while The Washington Post and The Independent praised
his treatment of the subject. Date of posting : 26th April 2009 |
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